Part of the Trombone Learning Hub

Trombone slide position chart: beginner notes and full reference

The first five notes and their positions, how to read the chart, then every note by register, with alternates and F-trigger positions.
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Band TrainerWritten for band students, by a band director

This chart shows where to put the slide for each note, starting with the five notes most band books begin with. Every note is written in bass clef, the way it looks in your music. Tap any note or position to hear it.

Jump to the full slide position chart

Beginner chart: the first five notes

Tap a note or position to hear it
B♭2
2nd line
C3
2nd space
D3
3rd line
E♭3
3rd space
F3
4th line
B♭ 1st, C 6th, D 4th, E♭ 3rd, F 1st. The number after each note name is its octave.

These five notes run from the B♭ on the 2nd line up to the F on the 4th line. Check where a note sits on the staff, not just its letter. The F on the 4th line is 1st position, but the low F below the staff is 6th:

Tap a note or position to hear it
F2
space below the staff
F3
4th line
Two Fs, an octave apart, in different positions.

How to read this chart

The number is the slide position. 1st position is the slide all the way in. Each position after that is one half step lower, out to 7th, with your arm nearly straight. The number after a note name, like the 2 in B♭2, is its octave: B♭2 is the B♭ on the 2nd line, and B♭3 is the B♭ an octave higher, just above the staff.

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Positions are where your right hand holds the slide brace. The slide is shown in 1st (hand in amber); the dashed boxes mark the hand in 2nd through 7th, and the dashed outline shows the slide in 7th. 3rd is just before the bell and 4th is about even with its edge. Positions are approximate and vary a little between trombones.

One position plays several notes. Each position has a family of notes, called partials. The slide picks the family, and your air and lips pick the note in it. That's why B♭ and F are both 1st position. For why this works, see the harmonic series and brass valve combinations.

Tap a note to hear it
B♭2F3B♭3D4F4
All five are 1st position. Faster air goes higher in the family; slower air goes lower.

Positions are spots to aim for, not exact marks. Your slide has no bumps or lines, and every trombone is a little different, so you fine-tune each note by ear:

  • Sharp? Move the slide out a little. Flat? Move it in a little.
  • Some notes sit flat. The B just above the staff in 4th, middle C in 3rd, and D♭ in 2nd usually need the slide a little farther in than normal.
  • Positions spread out. The gaps get bigger as the slide goes out. 6th to 7th is a longer move than 1st to 2nd.
  • Trombone reads concert pitch, so a tuner shows the same note name you see in your music.

For ways to find each position by ear, see trombone slide positions and alternate positions.

Full slide position chart

Every note from low E to high B♭ in one chart, plus F-attachment positions down to low C. Each column is a slide position, and each row is one partial: the family of notes your air and lips can pick in every position. Read down a column to see all the notes in that position.

  • Outlined notes are the first five in most band books.
  • Shaded notes are alternates: the same note appears in another column closer in, which is usually easier and more in tune.
  • The bottom rows only apply if your trombone has an F attachment. Their columns are trigger positions T1 to T6, which sit in different spots from the normal ones.
Tap a note to hear it
1st
2nd
3rd
4th
5th
6th
7th
High register
8th partial
Standard range
6th partial
5th partial
4th partial
3rd partial
2nd partial
With an F trigger
T1
T2
T3
T4
T5
T6
Shortcuts
————
Low notes
The 7th partial is left out: it's very flat, so it's used only for a few alternates, like F4 in raised 4th. Notes on the 5th partial run a little flat, so bring the slide in slightly. Sharps use the same position as the flat that sounds the same: F♯ = G♭, C♯ = D♭, and so on. C4 is middle C.

Not sure why F♯ and G♭ share a position? See enharmonic notes and the chromatic scale. For faster reading above and below the staff, see how to read bass clef ledger lines.

Alternate positions

Some notes can also be played in a second position. The usual position (solid) is the one to learn first and use most of the time. The alternate (dashed, amber) plays the same note farther out, for when it makes a passage smoother:

Tap a note or position to hear it
F3
4th line
B♭3
space above the staff
C4
1 ledger line above
D4
above 1 ledger line
F4
above 2 ledger lines
Raised 4th means a little farther in than normal 4th. Alternates often need small tuning adjustments, so check them with a tuner.

For example, F on the 4th line to C in the 2nd space is a long jump from 1st to 6th. With F in 6th, the slide doesn't move at all:

Tap a note to hear it
F1stC6thF1stC6thF6thC6thF6thC6th
The same notes twice: first with F in 1st, then with F in 6th (amber). Try both slowly and keep the one that sounds smoother.

The full chart above shows the common alternates. For when to choose one, and slide drills that use them, see trombone slide positions and alternate positions. Brass Trainer accepts common alternates, so you won't be marked wrong for using one.

With an F attachment

Many trombones have an F attachment: extra tubing you switch on with a trigger under your left thumb. With the trigger down, every position plays five half steps lower, so 1st position plays what 6th plays without it. That turns some long reaches into short ones and adds four low notes below low E. Trigger positions are written T1 to T6, and they sit in different spots from the normal ones.

Tap a note or position to hear it
C3
2nd space
B2
2nd line
F2
space below the staff
E2
1 ledger line below
Shortcuts for long reaches: the trigger position (violet) sits much closer in than 6th or 7th.
Tap a note or position to hear it
E♭2
1 ledger line below
D2
below 1 ledger line
D♭2
below 1 ledger line
C2
2 ledger lines below
Four low notes only the trigger can play. Trigger positions are spaced wider than normal ones, so T6 sits past normal 7th. Low C in T6 is at the very end of the slide, and out of reach on some trombones.

To see where T1 to T6 sit on the slide and when the trigger helps most, read the trombone F trigger. In Brass Trainer, turn on the F trigger in settings to practice trigger positions too.

Practice these positions

Tap a note to hear it
B♭1stC6thD4thE♭3rdF1stE♭3rdD4thC6thB♭1st
The first five notes up and back: 1, 6, 4, 3, 1. Move the slide quickly between notes and keep it still while each note sounds.
  • Say it, then play it. Move the slide through 1, 6, 4, 3, 1 while saying the note names, without playing.
  • Long tones with a tuner. Hold each beginner note and notice where the slide really sits on your trombone.
  • Eyes closed. Play the five notes once without looking, finding each position by feel and by ear.
  • Quiz yourself. Brass Trainer shows a note and you pick the position. When that's quick, switch to Play the Note and play it for the microphone.

Still working on your first notes? Start with how to make your first sound on trombone.

Practice thisBrass Trainer: slides and valves