Playing in tune: hearing "beats" and matching pitch

What out of tune sounds like, how to tell if you are sharp or flat, and how to match pitch with your section.
BT
Band TrainerWritten for band students, by a band director

Playing in tune isn't something you do once with a tuner at the start of rehearsal. It's listening and adjusting on every note. The good news is that you can learn to hear it, and there's a clear sound to listen for.

What out of tune sounds like

When two players play the same note slightly out of tune, you hear a wobble or pulse in the sound. These are called beats. The farther apart the two pitches are, the faster the beats. As they get closer, the beats slow down. When they disappear and the sound turns smooth, you're in tune.

Press play and listen for the wobble
Two B♭s: one steady, one 32 cents sharp sliding into tune
Headphones help. The second note starts sharp, then slides into tune. Listen for the pulse to slow down and stop.

Listen for it next time your section tunes. A fast "wah-wah-wah" means you're far apart. A slow pulse means you're close. No pulse means you've matched.

Sharp or flat?

Beats tell you that you're out of tune, but not which way. To find out, move your pitch a little in one direction. If the beats get faster, you went the wrong way. If they slow down, keep going.

Pick a starting note, then move the slider until the beats stop
Reference note: concert B♭
← Lower · pull outPush in · higher →
Try it: one note holds steady and yours starts out of tune. Slide slowly and listen. If the beats speed up, go the other way.
To goMost instrumentsExamples
Lower (fix sharp)Make the instrument longerPull out the tuning slide, head joint, or barrel
Higher (fix flat)Make the instrument shorterPush in the tuning slide, head joint, or barrel

Tuning slides set your starting point. While you play, you also adjust with your air, embouchure and (on some instruments) alternate fingerings or slide positions.

Why your pitch moves

  • Temperature: a cold instrument plays flat. Warm up before you tune.
  • Dynamics: many instruments go sharp when loud and flat when soft. Flutes are especially sensitive.
  • Certain notes: every instrument has notes that tend sharp or flat, like trumpet low D and C♯ (fingered 1-3 and 1-2-3), which run sharp. See the harmonic series and valves.
  • Tired embouchure: late in rehearsal, pitch often sags. Rest when you can.

Matching pitch in a section

  • Listen to the player next to you, or the principal player, before you play.
  • Sing or hum the note in your head before you play it.
  • Play softer than the person you're matching. It's easier to hear the beats.
  • Adjust, listen again, and adjust again. Small moves are best.

Using a tuner the right way

A tuner is great for setting your tuning slide and learning your instrument's tendencies. But if you stare at the needle while you play, you stop listening. Try this: play a long tone with your eyes closed, then open them and check the tuner. Over time you'll hear the difference before you see it.

Ear Trainer helps too. Hearing intervals clearly makes it easier to tell when something sounds "off" in a chord. Start with Recognizing intervals by ear.

Practice thisEar Trainer: intervals, triads, 7ths
Start drill