How to make your first sound on trumpet

Breathing, embouchure, buzzing, and your first notes on the trumpet, plus fixes for the problems almost every beginner hits.
BT
Band TrainerWritten for band students, by a band director

A trumpet doesn't make sound by itself. Your lips do. When air moves through your lips, they shake very fast and make a buzz. The trumpet makes that buzz louder and turns it into a note. This guide goes one step at a time, from breathing to your first notes. All notes are written trumpet notes, just like in your band book.

Step 1: Breathe

Good sound starts with good air. Sit or stand tall with your feet flat on the floor. Breathe in through your mouth, slow and deep, like a relaxed yawn. Your belly and sides should get bigger. Your shoulders should stay down.

  • Breathe in for 4 counts, then out for 4 counts. Blow the air out warm and steady, like fogging up a window.
  • Hold a sheet of paper against a wall with only your air. Try to keep it there as long as you can.
  • Don't lift your shoulders. That fills only the top of your lungs, and you run out of air fast.

Step 2: Set your embouchure

Your embouchure (say "AHM-bah-shur") is the way you shape your lips and face to play.

  • Say "mmm." Your top and bottom lips touch gently. That's where they should start.
  • Firm corners, relaxed middle. Keep the corners of your mouth firm, as if you're holding the "mmm." Don't smile. Smiling stretches your lips thin.
  • Teeth a little apart, so the air has room to get through.
  • Flat chin, pointed down. It shouldn't bunch up.
  • No puffy cheeks. Keep them against your teeth.
1. Say "mmm"Firm cornersLips touchgentlyRelaxed middle, no smile2. Add the mouthpieceRim centeredAbout half top lip, half bottomResting gently, not pushed in
A simple front view. Every face is different, so the best spot for your mouthpiece may be a little higher, lower, or to one side. Ask your teacher to check.

Step 3: Buzz your lips

Keep your lips together and blow air between them. They should flutter fast and make a buzzing sound, like a bee or a motorboat. That's your buzz.

Too tightNo opening.Air can't get through.✓ Just rightA small oval opening.Lips buzz freely.Too openA wide gap.Extra air: fuzzy sound.
The aperture is the tiny opening in the middle of your lips where the air goes through. Keep it small. The air pushes the lips apart just enough to make them buzz.
  • Start the air with your tongue. Put the tip of your tongue behind your top teeth and whisper "ta." Don't pop the air out with your lips, like "puh." That habit is hard to break later.
  • Only air, no buzz? Your lips are too far apart. Close them gently.
  • Nothing at all? Your lips are squeezed too tight. Relax them a little and blow more air.
  • Buzz for 3 or 4 seconds, rest, and try again. Lots of short tries work better than one long one.
  • Use a mirror. Your lips should keep the same shape the whole time.

Step 4: Buzz on the mouthpiece

Hold the mouthpiece near the end with your thumb and first two fingers. Place it in the center of your lips. Many players have about half on the top lip and half on the bottom (see the diagram above), but every face is different, so ask your teacher to check. Let it rest gently on your lips. Don't push it in.

Now buzz into it, just like before. It will sound buzzy, a bit like a duck call. That's normal, and it means you're doing it right.

Tap a sound to hear it
All examples play the same note: G on the second line.
The same buzz, on the mouthpiece alone and through a trumpet. The trumpet makes the buzz louder and rounder.
  • Hold a long, steady buzz. Then try a siren: start low, slide up, and come back down.
  • If the pitch jumps around, keep the air steady and try again.
  • Squeaky and high? Relax your lips and use slower, warmer air.

Step 5: Play your first note on the trumpet

Put the mouthpiece in the trumpet with a gentle twist. Don't tap it in; it can get stuck. Wrap your left hand around the valves and rest your right fingertips on the valve caps. Point the bell straight out, not at the floor.

Take a big breath, set your embouchure, and buzz with no valves pressed. To start the note, use your tongue as if you're whispering "ta." The tongue just tells the air when to go. It stays behind your top teeth and never pokes between your lips.

Your first note will probably be one of these. Both are played open, with no valves down:

Tap a note to hear it
CopenGopen
C below the staff and G on the second line. Tap each one to hear how it should sound.

Did you get a different note? That's fine on day one. One fingering can play several notes, and your buzz picks which one. A slower, looser buzz goes lower. A faster buzz goes higher. Sing or hum the note first so you know what you're aiming for. The trumpet fingering chart explains this more.

Common first-day problems

ProblemUsual causeTry this
Only air, no noteLips are apartSay "mmm," then start the air again with a "ta."
No sound at allLips squeezed tight, or not enough airRelax your lips, take a bigger breath, and blow.
A high squeakLips too tight, or pushing the mouthpieceLoosen up and use slower, warmer air.
Puffy cheeksLoose mouth cornersFirm the corners. Check in a mirror.
Fuzzy, airy soundAir leaking past the buzzKeep your lips together and center the mouthpiece.
A spitting "thup"Tongue between the lipsKeep your tongue behind your top teeth: "ta," not "tha."
Lips tired fastPressing the mouthpiece hardUse light pressure and rest often.
GurglingWater in the trumpetPress the water key and blow air through.
Tap a sound to hear it
All examples play the same note: G on the second line.
What you're aiming for, and two sounds beginners often make. Tap each one.

Your first week

  • Keep it short. Practice about 10 minutes a day. Rest as much as you play.
  • Days 1–2: breathing, lip buzzing, and mouthpiece buzzing.
  • Days 3–4: first notes on the trumpet. Try to hold a steady sound for 4 counts.
  • Days 5–7: learn C, D, E, F, and G from the fingering chart, and play each one as a long, steady note.

Once you can play a few notes, try Play the Note in Brass Trainer. You see a note, play it on your trumpet, and the microphone checks if you got it. It's a good way to tell if you landed on the right note or the one above or below. You can also hold a note against the tuner and try to keep the needle still. For your next step, see how to get a better sound.

Practice thisBrass Trainer: slides and valves
Practice in Brass Trainer